the hungarian drum & bass innovator jade, known as head honcho of neurofunk powerhouse eatbrain, returns to citrus recordings. for the a-side none other than break takes up remix duties reworking jade’s “what you are” that was originally released on his own imprint back in 2014. continuing with “monstereo” we hear a more rolling, pumped up groove underlined by tear up bass sounds and fueled by hyperactive arpeggios.

grandiose remixes des titeltracks des vielgelobten, neuen stimming-albums -alpe lusia- vom pampa-protagonisten robag wruhme, der den tune in ein tech-house-juwel verwandelt, und dem langzeit-gespann acid pauli & nu, das sich für eine deepere, hypnotische, fast gespenstische reinterpretation des einzigen albumtracks ohne einen echten groove entscheidet.

a lurching broken beat and detuned technicolour chords drive the title track, an ode to the ‘nocturnal’ raves happening in his hometown as a kid. caraiba is a hypnotic percussive workout, switching and snapping around it’s four-four palette and underpinned with a swaggering bass line. loop-finding (4jo) rounds out the ep with scattered beats on top of a chopped and filtered sample of a rare-groove track, a fleeting but emotive sign-off for after hours listening.

anamorph, zepovek, kaitaro and plantae bring the mysterious trippy groove.

originally released in france in the early 80s, the highest bidder has long been a dancefloor classic, combining snappy boogie bass and a stepping groove with gordon’s soulful vocals. sofrito and gordon henderson are proud to see these tracks legitimately once more, cut nice and loud on a 45 for optimal club play.

trotz einer aversion gegen das rampenlicht entwickelt sich marquis hawkes zum shooting-star der house szene. nach ersten maxis für dixon avenue basement jams, clone und aus sowie einer trilogie für houndstooth, legt er nun sein debütalbum vor. social housing deckt das gesamte spektrum der house music ab, von deepen grooves über disco cut-ups bis soulful keyboard-jams und jacking drumcomputer und featured dabei die stimme der legendären jocelyn brown. der definitive sommer-soundtrack.

the vfmm is proud to present - at last - this very joyful event of the birth of the label s first 7- release: chordula and inherit the world are brothers from different mothers and respecting their musical approach either of the two are deftly deploying what was back in the 90 s critically acclaimed as the peak of the french-house movementthe avid listener will readily notice refinement and sophistication in arrangement and composition of each track. the simple, yet compelling basic structure of these cuts is the driving force which renders everyone who listens exuberant.his split 7- is the perfect musical match for the imminent summer - stomping beats, bouncy rhythms, funky chords and an overall upbeat character: let s get down and in the groove. thanks to chordula and inherit the world, the notable french-house may celebrate a short but intense revival as of now. the vfmm wolfpack recommends its new manifest#005 7- to true house devotees

shadeleaf continue a fine and unbroken run of form with a stunning new ep from chris grant aka simba make your move opens things up with a beautifully executed, thumpin house jam, with j gordon adding an effortless vocal performance. sounds like a classic already ! susan sorandom (track title of the year ?) bumps along on a broad funkineven style groove, with killer drops and deft use of melodic hooks compete explores a more broken flex, but still shot through with that magical simba swing finally marvellous hacks up the prince of soul like never before, an absolutely deadly rewire that is the best ugly edit that never came out top drawer isht another shadeleaf sureshot !

180gr - 300 copies , limited
as the climate cools down in australia, temperatures are rising in europe and one of italys finest selectors has taken charge of people must jams eighth record. deja vu is a ep that has been a long time in the making. the result, we hope you will agree has been worth the wait. the title track kicks the ep off with a killer funk groove that riccio works into something we think mark e would be happy with. dyson jam is an original cut that channels some of his inner moodymann vibes - heads down, lights down, fader up... for the b side we asked the incredible payfone (who has been racking up a solid string of releases on golf channel) to remix dyson jam and he has created a perfect contrasting remix to the rest of the tracks of the ep. a deep journey that takes the original into sub-dawn territory. 4am vibes! the final cut of the ep mystical stretcher, is a late night jazzy funk number. again a little mahogani inspired...

180gr w<ax, ltd 300 copies , no repress,
2016 is suppose to see 2 more release from bordel ensemble, with new talent and world to discover
london based imprint bordel ensemble (limited series only) is back after one year with yet another ep by lodee gruv, alias of one of the label’s founder. the second release is stamped 003 as the bordel002 will be a compilation of music by all the artists of the label coming out later in 2016. two side / three tracks ep. on side a, lodee gruv confirms once again his style with an atmospheric raw and floor friendly 8 minutes rhythm . on side b he takes it up a notch with 95% analog generated drums and baseline groove toped by a progression of 3 notes sample melody leading to an slightly emotional pattern. the second track of side b is a lodee gruv signature, deeper and tripier somehow with samples twicked into different elements backed up by a gimmick changing low end drums. definitely a journey into lodee gruv’s mind and bordel ensemble spirit.

vatos locos kingpin hector raises the bar after the stellar launch of his vl recordings label, with a solo follow up entitled jacuzzi killer ep . having appeared on many stalwarts of the underground house and techno label scene over the last 8 years including: desolat, mobilee, tsuba, 20:20 vision, 8bit, moan and decay, 2016 has witnessed the start of a new chapter in his already illustrious career with the birth of this new label project which launched with a bang at a packed vatos locos party at bpm mexico in january this year. jackuzzi killer is a four track ep packed full of that signature low slung, rolling groove we all know and love hector for. the cherry on top, a coveted and rare remix by detroit legend rolando will see vl recordings keep the music to the high standard that has become synonymous with hector and his vatos locos crew

defined as an independent entity, drawing its inspiration from the deconstructed walls of an imaginary and utopian society where music is king and artist is servant, forsaken cell is a paris and lyon based structure composed of a small ravers community, aimed to show an indie, radical and experimental face of the french underground scene.the third release is the introduction of jiman into the forsaken cell. living near lille, a french city located between berlin and detroit, jiman makes a perfect mixture of those two towns that are his two main influences, focusing on the grainy, harsh, metalic and experimental sound of early 90s techno, with a relish of poetry, smoothness and a slight broken side of idm. his debut ep on the label is composed of 5 tracks that draws on the vinyl groove his long trip into the abyssal deepness of techno music, smelling an uncompromising industrial and raw atmosphere. the artwork, released by lexpo-studio, makes many senses and is opened to many interpretations. this ep is mastered by loop-o at calyx mastering and is available on forsakencell.com.

weval beziehen ihre inspiration nicht aus einem einzelnen musikalischen genre, sondern eher aus einer akkumulation von musik, die sie inspiriert. die ergebnisse zeichnet eine beeindruckend kohärente vision aus, aufnahmen wie das dramatische the battle, der bassknurrer i dont need it oder die trip-saga madness teilen diesselbe dna aus schwungvoller nostalgie, einer schwäche für immersive klangschnitzerei und einer gewissen delle im groove. sie nähren sich auch aus zutiefst persönlichen erfahrungen und stimmungen, wie zum beispiel bei der eindringlichen elektronischen ballade youre mine, dem vorsichtig geschichteten, polaroid-gefärbten just in case oder dem wunderschön gesungenen schlussakt years to build. und manchmal ist es nur ein altes, verstimmtes klavier, das im flur herumsteht: immer wenn ich dran vorbei lief, musste ich darauf herumklimpern, erklärt merijn, also wurde es ein zentraler bestandteil von you made it (part i). kein zweifel: dies ist wevals stärkstes und organischstes material bisher, was durchaus was bedeutet, wenn man das talent bedenkt welches bereits in schmalen, doch gewichtigen portfolio der band steckt.

the prolific producer shows he still has plenty of tricks up his sleeve across all four cuts and stitches in acid, jack and chicago styles with his own sense of charm. the kings comes hard and fast out of the blocks with big hits, wild synths and raved-up vibes that will have you punching the air. knowledge is another banger with powerful kicks and globular bassline run through with more ravey sirens, but this time is a little more haunted. crossing paths is all about a simple but effective bassline that bounces along and takes you with it in ways similar to an omar s joint, then wait is the most stripped back and mysterious of the lot with cosmic melodies panning about in a spacious and airy deep house groove. utterly timeless from start to finish, this is another massively effective offering from innershades.

ts09 is the 2nd ep of the toneseries project and in line with its 1st release ts10. however, its two tracks dipe and featherhand present a more dance-floor driven vibe and deeper groove.

(180 gr) the third in international feels mini album series is by wolf muller and cass. their album follows two highly regarded releases from len leise and cfcf and they havent let us/you/or anyone down.wolf muller and cass. have a new album coming on international feel as part of our ongoing mini album series. their album follows two highly regarded releases from len leise and cfcf and they haven t let us/you/or anyone down. jan schulte is wolf muller. he makes music to dance to and then he likes to pick things up and bang them. he makes funky german sounds from jews harps and odd items that you wouldn t expect. he is like an underground german version of herbert (but with more groove in his bones). cass. makes soundscapes that melt your bones and take you elsewhere. together they are a pretty formidable duo.

ts10 is the 1st ep of the toneseries project. born from the collaboration between french music producer, live performer and dj - david k, and lumièreslanuit s co-founder and an der grenze s founder - edouard morin. however, it isn t clear which artist from their extended crew stands behind this 1st release, as if the berlin-based music label wanted to focus on the music rather on the artist. ts10 consists of two tracks, both deep and groovy. whereas ailleurs disseminates the perfect warm-up groove, desert snowflakes fires off a more dancefloor-driven vibe. with regard to the artwork, as shown on the cover, each track has its own colour. there is neither a a nor a b-side. the same applies to the record vinyl itself. each track stands on it own. as a result, ailleurs and desert snowflakes distinguish themselves from each other through their vibes and colours, although they remain in the same spirit. in summary, toneseries brings together the idea of interdependence between music and design: what colour follows on from music and, in return, which musicality comes out of colours.

voodoocuts kicks off the a-side with kelja , a raw 70s afro-funk bomb from the ivory coast. the american-funk inspired tune features a funky bassline & killer organ vibe, mingled with a dirty, raw saxophone line and james brown influenced vocals. voodoocuts rework turns the track into a serious dancefloor banger! in the tortoise loop voodoocuts blends an infectious groove with pounding drum breaks and hypnotic vocals. a hot afro-latin joint not to be missed! on the flip soulbrigada takes things to a disco tip. hustleman is a stunning afrofunk & disco gem from west africa. the second track madera is an afro-disco gem with a compelling cape verdean groove. soulbrigada rearranged the tracks, added drums, samples and effects building a brigde between past and present - without ever losing its original organic vibe. two essential tunes for your record bag!

our fresh outing for kid caprice ep sees another new face join the dirt crew/ spiel family. our latest artist discovery is bal 5000 out of budapest, hungary. coming from a diverse genre background, his sound ranges from disco to techno, tastefully touched with indie and balearic. the title track, for kid caprice heralds a soulful bass line, easy house stabs, light hearted keys, gently swung percussion and sparkling disco licks, this ones a soundtrack for traversing the cosmos or blissfully swaying on a dance floor. dub version steps the energy up a notch. with its growling lead and steady lathered groove this one is wide and warm. on the b-side, farewell my lovely is melancholic yet uplifting, eerie synths sing over positive key hits and its lithe melodic lines playfully interact with the rolling bass giving this one a live synth-pop feel. wake up! its monday! is bouncing and joyous with a chunky bass at its core. a queasy lead wraps around the central ideas while rising arpeggios elevate the mood. finally, as digital only track, cop is a pumping italo influenced house jam brightened with classic disco elements. boasting a self assured bass and gritty rumbling analogue synths, this one is right at home under the lights.

favorite recordings presents this new official album reissue of shine the light of love by googie & tom coppola: a beautiful soul album sublimely produced with a sweet la groove! thomas wilkinson coppola (aka tom coppola) is a pianist and arranger, known for being a principal member of the funky prog-jazz group air (not to be confused with the french duo). he began working as a musician in manhattan in the 1960s, where he met carolyn brooks (aka googie coppola). if they only released one self-titled album with air in 1970, and shine the light of love as a duo in 1980, these two amazing talents have collaborated with artists such as herbie mann, lenny white, flora purim, ray barreto or jeremy steig to name just a few.

mark farina - good stuff!! junktion - bad girl s the one for me, great groove! nightmares on wax - loving the sunshine vibes on this , will support ! looking forward to playing it out :-) sleazy mcqueen - amazing and perfectly distilled for summer vibes! lars b - killer grooves! thank you .. inland knights- all tracks cool........bad girl a fave trujilo - freshh grooves!! disco tech - great release! kolour ltd - if you re truly a fan of closed paradise - first off there s no way can simply select a favorite as they re all favorites. mat s music just ticks all the right boxes for me .. every single time. whether it s a deep burner or an uptempo joint .. you can never go wrong.

lyssna records is a newly formed label out of stockholm overseen by adam stromstedt, flord king and mohammed al harbiti. two of the founding members, adam and flord, join forces to create a deep, jazzy and delicately put together debut. a1 shakshuka is a track driven by jazzy percussion and soothing chords on top and a slightly off kilter bass groove. a2 det eviga mysteriet straight away hits you with a more hip hop and soul inspired touch with well thought out vocal samples on top of a bouncy beat. flip side starts off with foul a slow pulsating track that is perfect for those late night shifts on the dance floor. finishing off the ep we have mr. tophat s rendition of shakshuka, weird and delightful at the same time, just like a mr. tophat remix should be, blu

msq 001 mysteriously divided into bright and dark sides of the universe. on the a-side (the bright one) you will find intergalactic jack groove represented by contra communem opionem aka cco (zurich) and made acid trip together with the cosmic rider andreas gehm (coln). the dark b-side accepts the challenge from imperfect planet s chastener umwelt (lyon) and a major black hole instigator moralez (st. petersburg). mastering is done on the international space station under the guidance of alden tyrell (amsterdam). annals of the universe available only in the form of a physical plastic 12 carrier in a limited edition of 300 copies.

summer season just started and we’re kickin’ it off with a pack of quality cuts brought to you by flashmob, danny serrano, clio, spencer k and collective machine: it sounds as good as it is. flashmob’s „year 1993“ is a deep organ tech tool that takes over big and small rooms alike, just made for peak time hours. danny returns with slate, a laidback track that hooks with tight snares and a locked groove. next up are spencer k and collective machine who joined forces for this release and we hope they’re up to repeat it, since that’s all where doing with “sonic attitude“ and “hit that way(digital only)“. clio completes the package and brings us some good summer vibes with “i need you“, need anything else?

killer 1975 gospel version of marlena shaws 1969 sister soul standard, a deep, socially conscious 45 asking some heavy questions about ghetto life set against a beautifully arranged, string heavy backdrop of low slung funk. a truly sought after rare groove, produced by the uks john abbey, the man who set up the legendary blues & soul magazine as well as the contempo, mojo and ichiban labels who worked with countless soul and funk artists throughout his lengthly career. quite tough to track down on 45, woman of the ghetto is now available again, dug out from the mighty sam records catalogue, the first release in their impressive discography now made available again on dinked 45 as it was presented in 1975, legitimately licensed, remastered and reissued in conjunction with sam records new york city.

new york coterie sheik ‘n’ beik line up the next 12” in a string of successful releases including legowelt & xosar under their now defunct xamiga guise, jeffrey scott and label owner rechulski. enlisted for their 7th record is the japan based mister saturday night and 1080p affiliate keita sano. with a strong affinity to analogue sound and old school audio processing, sano renders personal mind-maps in his work - eclectic and off-kilter productions shot-through with warmth and propelled by potent drums. his latest offering for sheik ‘n’ beik is one fans old and new will relish: a series of 4 warped excursions showcasing sano’s refined and idiosyncratic studio techniques. ‘bypass motion’ kicks things off with a fizzing 909 and a loose-limbed bass pattern set churning under brisk, steely atmospheres. dense in the low-end, ‘child’s play’ then follows up with a hard-nosed groove carried by horror-movie sweeps and distant computerised vocals.

crimes of the future rounds off the year in fine style with an absolutely essential ep from twins. 3 moody us house cuts straught out of atlanta and a sublime deep remix from label boss scott fraser. opening up with cause of dissociation, a slice of banging chicago house that would not have been out of place in the hands of mike dunn at the warehouse. rattling drums amd percussion a cut up vocal and a killer bassline make for dancefloor devastation. next up -you take too- takes things a little deeper, maintining the groove with chicago inspired percussion and filtered drums and stabbing synths grooving the track along. over on side b scott fraser takes -you take too- on to 5am on a dark smoke filled dancefloor, with a deep bassline and soaring strings. adding additional percussion, keys and swirling echoes... could be the sound of a lost nu groove classic. finally things close out with -a way from now- with more chicago inspired goodness with a funky bassline, pumping percussion and eerie ethereal keys rounding the ep off in fine style.

we present the final part of the our 10th anniversary trilogy. for the a side one of the most iconic tracks from the tsuba catalogue gets a very special remix from dungeon meat. the dm duo of brawther and tristan da cunha retain the hooks from the original adding a break heavy groove and their own unique touches resulting in a remix that successfully straddles genres and will appeal to a variety of tastemaking djs. for the b1 midnight special, the project comprising tsuba boss kevin griffiths and justin drake, deliver nude runner which nods ahead towards disco with a rolling bassline and sampled strings. the closing track on the ep and our 10 year celebrations comes from m.ono and luvless with the proto nu house of fettluke. the three samplers are vinyl only releases.

leeds based producer lk delivers the second instalment in the shall not fade catalogue, bumping, groove ridden house blends with lo fi, pounding drums.

ltd 2016 repress! vinyl only, hand-stamped numbered copies. helsinki based common labour presents.. its debut release dullape by potholes.the title track is a hazy affair with mesmerizing rhodes chords on top of a solid groove, its simple message - dont let the demons in. on the flip phonogenic strips down dullapé into a pure horror show interpretation, imagine exorcists burning wooden crosses into the face of a demonized remix. to round off the ep we have >etiquette< which is a loopy deep house flavored, delta blues funk jam, a belter aimed straight at whats left of the floor. plays from roberto rodriguez, fabio monesi, sasse, trevor deep jr...

been to long - the well remebered chorus of a successfull parisian duos single hit comes easily to mind while thinking of the latest internasjonal release. after a long hiatus - which feels like surely way long - we restart with one half of the formerly well known milanese pair - boogie drama - and it s very own lele sacchi. deejaying since 1995 sacchi has been and is still one of italys and especially milans musical icons - at least for electronic and alternative worlds, presents himself in his signature style. high on the heals of the success with rebirths smash lele sacchi vs blonde redhead - youre only kosmiquest is dark and cryptic, with a mean but very neat and elegant bassline plus an unmatched groove and feel for the floor. this time well balanced with a tad into psycheledic strinig heaven, wich combined with electronic effects is his ultimate kosmische quest. the whole thing is contered by an airy and superbright no less danceable lauer version and a fantatsic relaxed italo take on kraut which can propably be non done much better than byprins thomas walking on that lunga strada!

truck is a buzzing analogue moog droning bass riff over disco-tic handclap beats with cb radio vocals by the one and only frontman of the b-52 s fred , think homage to movies like convoy and smokey & the bandit turned into pulsing dubbed up soundtrack to hitting the road and hitting the caffeine. in flagranti pump up the beats and claps and give it a nyc 80 s b-boy twist that just builds and builds in to a euphoric percussive groove in their own usual trademark style.

afro deep house mit soul, groove und den gaststars oumou sangare, mangala camara und omar.

more of love, the second release from the uk s danced til midnight is a low slung, sensually charged slice of soulful groove guaranteed to get the floor bumping and grinding whatever the hour. featuring new tracks from the revenge and faze action, fresh for 2016. all tracks feature honeyed, velvet vocals and soulful inflections. remixes come in the shape of a supercharged disco bomb from the disco stalwarts faze action on the track more of love, while the revenge edit of no way back owns the deeper shades of balearic beach house. this is one release that transports you effortlessly to the poolside, the musical embodiment of the longest, hottest and most mischievous summer.

jami bassols has been a close member of hivern since its beginnings as one half of aster. now, following the release of noche/ templo, his two acclaimed edits for nvh, he returns to the label with his solo debut as jmii. in thrills, the barcelonian producer displays a sound that s equally raw and lively, with a very personal sense of quirkiness. the title track is jmii s most expansive production to date. an uplifting house number built around an elastic bassline and sprinkled with a bubbly arpeggiated melody, echoed vocal snips and ravey pads. bailar is a sort of lunatic take on chi-house, with a crude bassline, psychotic organ chords and feverish percussion coming together to form an ultra-infectious groove. tightbrass follows a similar path, but conducted by frenzied synthetic horns that bring to mind a marching band of manic robots. in his remix, comeme s christian s. brings the track to a darker territory, reducing it to it s core elements and focusing in a nasty bassline that will for sure cause serious damage in the dancefloors in the upcoming months.

bringing together their eclectic musical background, both individuals behind the recently born artist duo exponent share a vision of a uniting element in dance music, which is much more defined by atmosphere and its demarcation to mainstream music than by simple genre characteristics. sometimes broken, sometimes straight - those three tracks end up with a four-to-the-floor attitude, without intending to. complex and simple at the same time, never letting go of that one hypnotic groove, which keeps us together during those special nights. 22.22. is released on freakadelle, the record label of the same-named cultural npo based in salzburg, austria.

killer groovin disco / phunky feel house bombs

last year saw the mysterious garage shelter make their debut appearance on skylax, and little is still known about them! all we know is they are back with some freshness on the skylax classic sublabel. first up is bring back love, a track that will sink its claws in with that infectious vocal sample hook. sticking with the old school sample vibe is the lonely heart dub of attempt, it’s a bit more mellow but still has plenty of groove in it. friend of the garage shelter, dj la foudre, appears over on the b side with it’s alright (signal st mix). still on that catchy sample tip, it features one of the grooviest bassline and funky guitar pairings i’ve heard in a long time. next up, perception 66 is a smooth house affair from yet another friend, asa no hikari. rounding out the package is garage shelter’s own you (still), a dreamy pad-driven track that may indeed be the pick of the release. while we don’t know much about garage shelter, we can’t help but look forward to what they come out with next!

for its first release, the new label motion sequence presents a 4 tracker, various artists ep: ms 0.1. based on different influences, these songs, made by medicis, e-tronik, vincen and voltery, will fit perfectly to each of your moods.

second in the labor of love series more dubbed out disco made with love! featuring edits heros sleazy mcqueen, dicky trisco, & labor of love.

ultratheque pays tribute to glasgow s first ever laser disco and the first dancehall that hifi sean frequented as a teenager. soft cell/the grid analogue keyboard maestro dave ball adds his trademark sound on this solid electro groove making it sound like some lost dub from nyc danceteria days dave himself with skull bandits crank up the electroclash vibes on the remix and turn it into a full on dancefloor onslaught like ultratheque itself was back in those laser-tastic days.

janette jnett pitruzzello is considered something of a legend in her home city of melbourne, where she’s been djing for well over two decades. here, she delivers her debut solo ep, featuring a quartet of tracks co-produced by maurice fulton. the latter also delivers a solo mix of opener reflection, which adds a little leftfield disco sparkle and percussive sweatiness to an otherwise organ-heavy deep house groove. theres a similarly cheery, funky and disco-tinged feel to the rolling, cut-up house goodness of swangzipani. elsewhere, the duo gets a little stranger in pursuit of dancefloor thrills bubbles away is deliciously dark, wonky and intergalactic, while judge not wanders off into head-nodding, instrumental hip-hop territory.

were honored to present mulla and his debut ep six chapters. mullas appearance on cahoots volume 2 with smack back brought something refreshing to our ears and we immediately wanted more. with that said, we welcome our treasured nomad back to the cahoots camp with six chapters.

yay recordings is more than happy to release a new ep and this time is the turn of the italian producer alex picone. analogue dreams and rough groove are the soul of this new record. !!! providing good vibes !!!

welcome kerri chandler s kaoz theory imprint to our exclusive roster. kicking things off we have hot creations label boss jamie jones who storms back with yet another highly anticipated dancefloor focused release, the illicit behaviour ep consists of two originals and two remixes, delivering a diverse collection of tracks with a common theme for setting an infectious groove.

the firt material release of 2016 is here! exclusive tracks that are only on vinyl at deejay.de! hot ones!

four multi-purpose, innovative tracks from the assemble music family. mike shannon takes the pace right down on pimp limp to stunning effect, weaving together tweaked pads and a deep, tripping bass with the tightest of drum sounds, developing an irresistible, effortless groove. aloe varu (aka dan andrei) takes the shuffle up a notch on shifty, evoking classic herbert with cut-up jazz samples and bumping, stop-start percussion. nicola kazimir nods to another master, jan jelinek aka farben, on reductive ford, channeling the latters contemplative, intricate and emotive programming. finally voigtmanns muff shuffler does, well, exactly that, shuffling along with a minimal vibe enhanced with fine atmospherics.

fuse london have cemented their place in the worldwide underground with an unwavering belief in the dj and production talents of an extended network of friends and they once again hit gold with antony difrancesco and samuel bellis db productions ep - 87-88 kicks things off with a distinctly fuse-esque sound, a hazy tripped out groove and spoken female vocal ride a raw jungle tinged b-line. one way to pluto is the eps vinyl only track and keeps things deep but no less driving whilst adderall adds an almost techno sensibility in its quirkier elements. to round the ep off label head enzo siragusa once again joins forces with alexkid under their kilimanjaro guise to provide a sleek dub interpretation of 87-88

the next release on lag is from bay area to berlin transplant jamaica suk. the kontort ep (lag006) is another 3 cut record with all original music. the title track kontort is a composition with the big room in mind with thunderous kicks and bass with intricate panning and dub inflections. holographic is a another big room techno workout with a deliciously infectious piano line which allows the producers personality to shine through. depth between waves is a dub techno roller. this track shows restraint till the break then re-emerges with a synth sound that pushes the groove forward in a simple yet undeniable manner.